We ought to remain a little aloof and take pleasure in the aloofness, while at the same time we keenly enjoy (enjoy with tears and shivers) the interweave of a given masterpiece.

He wants to read it as apart from the emotions, although he wants to enlist those emotions in a very specific way.
Those have to be the tears and shivers of impersonality.
Impersonality as the ultimate stance of the artist.

The good, lasting stuff comes out of one’s individual imagination, and sensitivity to, and comprehension of, the sufferings of Everyman, not out of the memory of one’s own grief.

誰懂發現自己口嗨的梗被女神寫過的感覺

女神更新了！

老實說最近看一些新的輕小說，大部分看到的心得都是："I am too old for this."
但是怎麼說？二十年前的青少年文學和輕小說就不會讓我有這種感覺 （看二十年前的青少年奇幻很開心的人）

終於是來到看不懂自己的舊文的年紀了

我一般不嗑rps的，但是、但是⋯⋯（哽咽）

聽米津新曲
第一遍：Iris out
第十遍：i⬆️r⬇️i⬆️s⬇️ out🎵

所以說為什麼金庸是大師，看看他寫的小說台詞，一句可以腦補出一整篇言情小說：
「若我問心有愧呢？」
「我便要勉強。」