The opening was unsettling.

If not for the subtitles, I would have thought that the thing that hit Chris and Rose's car was a bird rather than a deer; it looked like it flew through the air.

Between the basement being sealed and the comment "my mother loved this kitchen so we keep a piece of her in here" as the camera pans over to a worker, I have a bad feeling about this place.

Along with Georgina reacting strangely after hearing "we keep [the late grandparents] close to us; they're still with us."

Rose's brother makes a comment about genetic make-up making Chris a good athlete; I'm concerned that he's going to start talking about skull shapes soon.

Seeing Chris's eyes all red like this (during the hypnosis scene) is tough to look at.

Everyone keeps assuming that Chris plays sports - not sure if that's a subtle form of racism. (Since he's more of an artist)

Also, many of the characters are wearing black or white with shades of red - not sure if that's significant.

While Chris is wearing blue.

Someone (Rose?) is unplugging Chris's phone; I'm guessing that's how the writers are addressing the issue of cell phones in horror movies.

This silent auction seems uncomfortably reminiscent of slavery.

(Though I suppose that's just stating the obvious)

Roman Armitage sounds familiar. (And is also super racist)

It's weird to see Rose sounding concerned while not looking like it.

Even the brief glimpses of the surgery gross me out.

Oh, so the brother was the kidnapper from the opening.

I get why the groundskeeper committed suicide, but still, that was dark.

Oh God.

The police just showed up.

Wait, never mind. (I thought it was going to go for a really dark ending)

I liked it. It was more of a psychological horror than I was expecting (or at least that's the best way I can think of to describe it), and it did well with taking a common anxiety (meeting the family of your significant other) and molding it into something terrifying. (While making it just seem awkward at first)